It was last year at a rock concert that I met
Salman Rushdie.
Only it wasn’t a rock concert, really. Not
per se. It was small show by Robyn Hitchcock, which is to say sort of a Monty
Python meets Captain Beefheart sort of thing with an acid folk bent. You know
what I mean. If you can imagine that, then you know what I mean.
Salman Rushdie was sitting at a table at the
back, drinking beers with a heron-looking woman. The lights were low but in my
mind, I pictured her as looking like a heron.
And the show had not yet started so I walked up
to his table and I said, “Masaa al-Khair,
Mr. Rushdie.” I was not one hundred percent certain it was him.
He said hello, or perhaps “Good evening.” I moved in to shake his
hand but then thought better of it. I pulled back. I said I did not know if I
was allowed to shake his hand, what with there being an Islamic death warrant
on his head and all. I did not say that last bit out loud but it was implied.
He probably believed I was about to kill him.
I did not kill him. Instead, we spoke of magic
realism and especially of how underappreciated Jose Donoso’s Obscene Bird of Night is.
Later on, I kept wondering if it had really
been Salman Rushdie at all. Then I stumbled onto this tweet:
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